Hou hanru biography of barack

We learned to build scaffolding and draw construction blueprints without the help of any computers or equipment. This experience taught me an important lesson about self-organization. I learned how to carry out an idea and put thought into action. At that time we would read whatever we could get. We would concurrently read multiple books.

Interestingly, as I go down memory lane I realize that I have always been partial to the alternative way. In short, I despise anything considered very fashionable. If there is something that seems like spittle hair to other people and receives no attention from them, I intuitively find it interesting. I tend to shy away from anything romantic and lean towards something more…, not profound, but peculiar.

I think this tendency has something to do with how I conduct myself, especially around the issue of deconstructing nationalism. I would keep writing in English until they flowed nicely. Language is more than just a tool; it is a state of mind. Posted by Peter Nesbett, for further information please visit www. Working, reading, meeting, cooking, eating, drinking, traveling, some exercise like swimming, running and a lot of wasting of time while being infinitely busy Contents move to sidebar hide.

Article Talk. Read Edit View history.

Hou hanru biography of barack

Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. This article includes a list of general references , but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. Highly pragmatic modern buildings and infrastructures are introduced to replace traditional urban forms while the environment is becoming increasingly artificially controlled — represented by the omnipresent air conditioning devices — at the price of the rapid degradation of natural conditions.

Shenzhen also embodies such a contradiction of urbanisation. He spent weeks on the site and researched into the local climate conditions as well as the history of Chinese architecture. A multi-level platform, painted white, protected by canvas ceilings, provides a fresh platform for the gathering of inhabitant of the city and allows them to rediscover their own city from a totally new point of view.

This not only creates a space for observation, gathering, reflection and debates for the public. It also offers them a platform to experience directly the harmony between the manmade city and the natural surroundings. They are painted white, expanding into public spaces and embrace the interventions of the public like open arms. They are physical.

They are results of deliberately planned occupations of urban territories with strategies of minimalist and even immaterial transformations of the given conditions. They are discreet, firmly anti-spectacular. They provide, in turn, the best spaces for spectacular events ranging from meditation, games, dances, concerts to all kinds of everyday activities.

However, these activities have never been planned and organised by the artist. Instead, they are improvised and realised by the public with passion and spontaneous inspirations. He likes to call his works philosophic. There have been political platforms, but none of philosophical platforms. Philosophically saying, it owns a lot to Wittgenstein and American Pragmatism.

Its main quality was to be empty.