Camil tulcan biography of alberta

In case the image received at the destination does not meet your original requirements, a refund can be requested within 21 days, or a replacement image can be provided. Archival pigment print. This work is part of a limited edition set. The work will arive an a carton tube with all the requeted detail and no frame. The production and distribution in print format will be provided by Lebolabo, the company details and mach more format request you will find here: www.

The paper can be chosen depending on the context and has two different finishes, matte paper Agip and briliant paper Barrita prestige. The images obtained from any of the aforementioned processes are all rights reserved, and their usage is specified in a contract made with the agreement of both parties. If you are interested in a personalised story in video or animated form, you can check my professional website at rasterpoint.

Camil tulcan biography of alberta

Read More. I was born on July 28, , in Timisoara, Romania. I am an artist and designer, currently living and working in Bordeaux, France since You can access my professional website at rasterpoint. The series presented here shed light on my current concerns, seeking to identify visual patterns that recur, to varying degrees, and sometimes almost obsessively, in each series.

The context in which the subject is seen is crucial. Brebu Nou. Password Protected To view this protected post, enter the password below: Password: Submit. Almost every one of the images on this website can be printed, some in 2 different formats and a limited number, others can be downloaded directly and used with a license depending on the use.

Despite the restrictions imposed by the Romanian political system in the s and s, the Ion Vidu Art High School in Timisoara provided a crucial space for artistic experimentation. The teachings and practices of the SIGMA group served as a central reference point for me in the specific context of that time. At the intersection of these different elements, between constraints and liberation, experimentation and openness, my artistic practice was forged, carrying forward some of these legacies while refuting others.

What cultural and personal associations does the viewer establish with the object? How do these factors influence the way the subject is perceived and interpreted? Generally, visual patterns are used to create a sense of order, balance, and harmony in a design, or conversely, to convey a feeling of chaos, movement, or energy. In some cases, visual patterns can also be used to convey meaning or symbolize ideas.

How can these reference points be manifested and destabilized? Similar to the recurring motif of water Cloud stories, Glassworks of Elena, Shapes of water , which serves as both backdrop and actor in my work, foreground objects and background subjects alternate, exchanging their positions, merging within the lens.