Bill blass designer biography books

VG, a clean, unmarked copy; spine lightly toned. Catalogue of exhibition organized by the Sarah Campbell Glaffer Gallery. Burrowes Co. Color pictorial stiff paper wraps with original stamped, addressed mailing envelope. Features and describes all components of the company's sliding wire window screens and screen doors - the type of wire netting, screws, wood, etc.

Color illustrated paperback. VG, pages toned; covers with light edgewear. Dell no. A Dell "mapback. Lavanburg Foundation, Second edition. Printed stiff card covers. VG, an unmarked copy except for library pocket Regional Plan Association Library on inside back cover; shallow chip to top edge of back cover, light soil. First published in The Fred L.

Lavanburg Foundation was established in as a low-income, non-profit housing corporation for families with children who were unable to find housing elsewhere. The Lavanburg Homes opened at Goerck St renamed Baruch Place on the Lower East Side in December , a six-story building containing apartments; it had a large screened playground on the roof.

It was made by 18 licensees. Like many designers, his women's-couture collections lost money but served to promote other parts of his business. Blass is largely credited with creating the relaxed, elegant look that American fashion favored in the late 20th century. In a time period where international attention was solely focused on French fashion, Blass was able to create designs that would eventually shift the focus onto American fashion as well.

Inspired by European fashion designers like Coco Chanel, Blass modernized womenswear by allowing them comfort while still maintaining a sense of glamour; he would create designs typical of sportswear, but create them using luxurious fabrics. His signature style consisted of feminine ruffles, luxury materials such as mink or cashmere, and sharply-cut, simple silhouettes.

Blass's looks would incorporate Golden Age Hollywood's glamour with sportswear, taking sportswear silhouettes, and creating them with luxurious materials such as mink, silk, and cashmere, or blending pieces traditionally found in sportswear with dramatic ball skirts. Blass was the first American to incorporate fabrics traditionally only found in menswear, such as pinstripes and houndstooth, into womenswear.

His clothing was always very wearable, a characteristic that set him apart from his contemporaries, as most of them were focused on creating fantastical clothes.

Bill blass designer biography books

Blass was one of the first designers bold enough and recognizable enough to star in his own advertisements. In one such campaign launched during the 's, Blass was pictured alongside two models wielding machine guns. Text proclaiming "They can't knock off Bill Blass" was emblazoned across the image. Employing witty slogans such as ''Positively Blassphemous", Bill Blass became a celebrity in his own right.

The event is often credited as the event that put American fashion in the international spotlight. Beginning in , and continuing until , Blass lent his talents to the Ford Motor Company for an edition of their Continental Mark series of automobiles. Each year, as goes true fashion, the interior and exterior color combinations would be updated. One of the most popular was the edition honoring a nautical theme, as did the Blass logo of the time.

Small anchors were incorporated into the exterior accent striping and interior accents within the Blass "back-to-back B" design theme. The through Mark series Blass models were available with a "carriage roof" giving a convertible top look to the cars. After , the Bill Blass edition became a color option with rear quarter window model designations and a few features that were options on the standard model.

He won the Coty for men's wear. I have learned when to leave the party. It's the same with fashion, you know. And that, I suppose, is what style is about. Bare Blass. Bill Blass. Helen O'Hagan , Kathleen Rowold. Published to accompany a major retrospective exhibition of Blass's career at the Indiana University Art Museum, this lavish presentation presents more than of his most important ensembles, beginning with his earliest work for Anna Miller and Maurice Rentner in the s and 60s, continuing through the creation of his own label in , and closing with pieces from his final collection for spring From early in his career, Blass became known for creating simple, uncontrived, yet luxurious clothing.

He combined flawless tailoring and a fascination with men's-wear fabrics with an instinctive understanding of what his loyal customers wanted. The result was a very modern, American chic, characterized by casual sophistication and self-confident, even defiant, personal style.