2 mai 1808 par francisco goya biography

Attributed to Goya Francisco de Goya y Lucientes. Over the course of his long career, Goya moved from jolly and lighthearted to deeply pessimistic and searching in his paintings, drawings, etchings, and frescoes. Goya came to artistic maturity during this age of enlightenment. Goya painted sixty-three cartoons for two royal palaces, which included nine hunting scenes for the dining room at San Lorenzo del Escorial and ten cartoons for tapestries destined for the dining room at El Pardo.

The tapestries glorify leisure activities of the rich, poor, young, and old in a playful Rococo manner comparable to the style of Tiepolo. The Blind Guitarist The tapestry weavers, frustrated by its complex composition, returned the cartoon to Goya. However, before simplifying it, Goya preserved the original design in a copperplate etching, the largest print he ever made.

As Goya continued to move in circles of royal patronage, he received more commissions from the aristocracy. One is stabbing a soldier with a furious face while the other is poking a horse with his knife. The soldiers have cruel faces and are holding their weapons with an intention to severely hurt the civilians. It is interesting to note that only two protestors are killed, which equals the number of dead French soldiers.

Goya shows his patriotism through an alteration of facts and secretly states that the Spanish are second to none. Although the realistic depiction of the rebellion did not acquire fame, The Second of May has become one of the most studied paintings of Goya because of the historical importance the painting has. Its twin painting has even more importance and together they show the patriotism, love and passion of the Spanish people towards their country.

The Second of May — Analysis The painting was commissioned by the Spanish Government after the French army is completely removed from the country in the year Go to mobile version.

2 mai 1808 par francisco goya biography

Perhaps hoping for a share of the money subscribed in large amounts for the creation of commemorative works of art, Goya produced both pictures in a year of public mourning for victims of these riots. He petitioned the government for financial aid in painting two pictures of 'our glorious insurrection against the tyrant of Europe'. He received a monthly allowance of reales plus the cost of materials, but his paintings aroused little interest, perhaps because his style was so different from the predominantly Neo-Classical designs of his contemporaries.

It is highly unlikely that Goya saw any of the eighty-six Mamelukes in Madrid in , and the Mamelukes in the picture have been transformed into Moors. The attitudes of the rebels seem highly reminiscent of the bullring: they posture like matadors, and the horses, particularly about the hindquarters, are bull-like. The entanglement of horses and bodies represents a transference of Goya's absorption in the interplay of speed, heavy animal-power and convergence of acute angles of movement,.

There has been debate about the extent to which Goya was influenced by Rubens. Goya's Saturn Devouring His Son , c. Kenneth Clark considered The Second of May an "artistic failure In , during the Spanish Civil War , when Madrid was bombed by Nationalist troops, the republican government decided to evacuate the paintings from the Prado.

A truck carrying Goya's paintings had an accident, and The Second of May was badly damaged: there were tears and even pieces missing. A first restoration was carried out in when the paintings returned to Madrid. A further restoration was completed between and Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

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